Showing posts with label Online Released. Show all posts
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Ang Panday MMFF 2017 Online Released

The wait is finally over! The first official teaser of "Ang Panday" was released online last night, November 13, on Star Cinema's YouTube channel and Facebook page.

The 36 seconds video introduced the newest "tagapagligtas ng sangkatauhan," played by Primetime King Coco Martin, and his epic ways of saving people from supernatural creatures.


Carlo J. Caparas' "Ang Panday" also marks Coco's first-ever directorial project under his real name Rodel Nacianceno.

It is among the entries at the 2017 Metro Manila Film Festival.

Coco Martin plays the grandson of the original Panday whose life will suddenly turn upside down when he realizes that his bloodline is destined to save humanity from the evil doings of Lizardo (Jake Cuenca).

Lizardo, the immortal evil nemesis of Panday comes back from the world of darkness to once again bring havoc to the human race. With Flavio III not knowing that his bloodline is the only one capable of destroying Lizardo, he will have to scour different worlds to be able to gain the trust of the mythical power of the legendary sword.

Like the original beloved hero, Flavio III gets to meet various characters that will help him become the rightful heir to the revered name Ang Panday.

 
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Amalanhig: The Vampire Chronicle 2017 Online Released

Amalanhig is a gratingly noisy 

film. Posadas populates his film with all sorts of abhorrent sounds, with every lousy visual meriting a lousier sound effect. The dubbing is atrocious. The acting is terrible. The special effects, cheap. Heck, the titular monster is actually nothing more than a greased up actor wearing a sooty long-sleeved shirt with computer-generated embers following his trail.


It seems that Posadas' idea of horror is to bombard his audience with as much ugliness as possible. With all its haphazardly woven scenes that hardly evoke any semblance of mood or dread, the film only manages to shock by how truly awful it is and how clueless it is about its inescapable awfulness.
This isn't a case of a film so bad, it's good. Amalanhig is just reprehensibly lazy that even its attempts at humor falls flat.


Amalanhig isn't just that it is a shoddily crafted horror flick. It is also brazenly bereft of any real insight.

 It struggles to make sense of its horror, wasting the precious lore it borrows from local folklore just to service a ridiculous story of witless students who put themselves in mortal danger all for the sake of a research paper. It also doesn't help that the film's main star, Jerico Estregan, has the charisma of a dried up twig. He is paired with Sanya Lopez, who proves to be as forgettable as the rest of the teens who all end up as fodder.

Posadas, who also wrote the screenplay, posits confused theories about his titular monster, peppering his film with all sorts of useless information, from Catholic imagery to pseudo-science, that amount to nothing.

He only succeeds in making a mess. Amalanhig is just joyless. It offers no real pleasures, just aimless suffering, at least for the duration of its running time.



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Train to Busan Tagalog Dubbed Online Released

Train to Busan (Hangul: 부산행; RR: Busanhaeng) is a 2016 South Korean zombie apocalypse action thriller film directed by Yeon Sang-ho and starring Gong Yoo, Jung Yu-mi, and Ma Dong-seok. The film takes place on a train to Busan, as a zombie apocalypse suddenly breaks in the country and compromises the safety of the passengers.

The film premiered in the Midnight Screenings section of the 2016 Cannes Film Festival on 13 May.[ On 7 August, the film set a record as the first Korean film of 2016 to break the audience record of over 10 million theatergoers.The film serves as a reunion for Gong Yoo and Jung Yu-mi, who both starred in the 2011 film The Crucible.

 An animated prequel, Seoul Station, also directed by Sang-ho, was released less than a month later.

Seok-woo is a fund manager, workaholic, and divorced single father to his young daughter, Soo-an. For her birthday, she asks him to take her to Busan to see her mother. His work makes him hesitant but his mind is changed when his mother gives him a video of Soo-an's solo recital of "Aloha ʻOe"; his daughter did not complete her performance, knowing he was not present. On the way to the station, they encounter a speeding convoy of fire trucks, ambulances and police cars, and pass by a burning building. They board the KTX in Seoul. Others on the same train include tough, surly working-class husband Sang-hwa and his pregnant wife Sung-kyung; a high school baseball team; rich and selfish COO Yon-suk; elderly sisters In-gil and Jong-gil; and a traumatized homeless man who has witnessed a zombie attack.

Seok-woo is a fund manager, workaholic, and divorced single father to his young daughter, Soo-an. For her birthday, she asks him to take her to Busan to see her mother. His work makes him hesitant but his mind is changed when his mother gives him a video of Soo-an's solo recital of "Aloha ʻOe"; his daughter did not complete her performance, knowing he was not present. On the way to the station, they encounter a speeding convoy of fire trucks, ambulances and police cars, and pass by a burning building. They board the KTX in Seoul. Others on the same train include tough, surly working-class husband Sang-hwa and his pregnant wife Sung-kyung; a high school baseball team; rich and selfish COO Yon-suk; elderly sisters In-gil and Jong-gil; and a traumatized homeless man who has witnessed a zombie attack.

Learning that Soo-an, In-gil, Sung-kyung, and the homeless man are trapped in a car in front of them, Seok-woo, Sang-hwa, and Yong-guk fight their way through zombies to rescue them. Along the way, they discover that zombies cannot see uninfected people in the dark and only react to sounds. They use this advantage to rescue the others and together head to the front cars. However, at the instigation of Yon-suk, the passengers there block the survivors from entering, fearing that they are infected. Unable to fight off a horde of zombies, Sang-hwa sacrifices himself to give the others time to force open the door and enter the car, but In-gil doesn't make it. Yon-suk claims the newcomers are infected, so the other passengers force them to isolate themselves in the forward vestibule, where Jin-hee joins her now boyfriend Yong-guk. As Yon-suk and other passengers seal them in, Jong-gil looks at her zombified sister In-gil.

Angry at Yon-suk's and the other passengers' cowardice and cruelty and unable to accept her fate, Jong-gil opens the door, allowing the horde of zombies to enter and infect all of the surviving passengers in the main compartment of the car.

Seok-woo receives a call from his coworker, who informs him that Busan has fought off the zombies. However, Seok-woo also learns that it was his company that helped fund a project that caused the outbreak. After the phone call, the train suddenly slows to a stop. A blocked track at Dongdaegu Station forces the survivors to stop and search for another train. A runaway train crashes into the infected train, trapping the four remaining survivors. In the process, Seok-woo, Sung-kyung, Soo-an, and the homeless man are separated from Yong-guk and Jin-hee. Yon-suk, who survived with a train attendant by hiding in a bathroom, manages to escape by pushing the attendant into the zombies. Entering the train where Yong-guk and Jin-hee are hiding, Yon-suk throws Jin-hee into the path of a zombie, and she is bitten by a zombie. Heartbroken, Yong-guk stays with Jin-hee and is bitten when she turns.

The locomotive engineer starts a locomotive moving on another track but is killed by zombies (in part by being pushed by Yon-suk) while trying to aid Yon-suk, who boards the locomotive. The homeless man sacrifices himself so that Soo-an and Seong-kyeong can escape with Seok-woo and reach the locomotive. Entering its cab, they encounter an infected Yon-suk, who attacks Seok-Woo, biting his hand before Seok-woo throws him from the vehicle. He puts Soo-an and Seong-kyeong inside the engine room, shows Seong-kyeong how to brake the engine and to not let his daughter see him zombify, says goodbye to his daughter, and goes outside. As he zombifies, he remembers the first time he held his daughter, then throws himself from the locomotive.

Nearing Busan, Soo-an and Seong-kyeong are forced to halt at a blockade and walk through a tunnel. On the other side, soldiers are stationed at a checkpoint to defend the perimeter against zombies. Unable to see Soo-an and Seong-kyeong clearly in dark, the soldiers are instructed by their commander to shoot them both. Just before the trigger can be pulled, the soldiers faintly hear Soo-an tearfully singing "Aloha 'Oe". Realizing they're survivors, the soldiers rush out to accompany them in.

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MARROWBONE Full Movie 2017 Online Released

A young man and his four younger siblings, who have kept secret the death of their beloved mother in order to remain together, are plagued by a sinister presence in the sprawling manor in which they live.

Children and big, mystery-stuffed houses are hardly unusual ingredients in thrillers; they're about as common as bumps in the night. But their pairing in Marrowbone, the first feature directed by Sergio G. Sanchez, strikes a familiar and deeply satisfying chord.

Set in 1969 America but filmed in Spain, it from the start recalls several other pictures made in Spain by Spanish or Mexican filmmakers: not just The Orphanage, which Sanchez wrote for director J.A. Bayona, but Alejandro Amenabar's The Others and the Spanish Civil War-set ghost stories of Guillermo del Toro. (Tellingly, Marrowbone's Alvaro Augustin has served as a producer on films by all three of these directors.) No moviegoer who loves more than one of those films should be disappointed by this one, a sumptuous tale of various sorts of haunting set in what should be a seaside Eden.

Scary enough to please most genre buffs, it would also play well in art houses: If you were to go through and remove every hint of ghosts, you'd still have a drama well worth seeing.
Four siblings from England are brought to an unnamed Northeastern American town by their mother, who grew up here. They move into her childhood home and rechristen themselves with her maiden name, Marrowbone, which is also the estate's name. "Our story begins here," she declares, drawing a line in the accumulated dust; but all the talk of fresh starts is clouded by hints of someone back home who very much wants to find them.

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Baka Bukas (Maybe Tomorrow) 2017 Full Movie Online Released

Alex is a 23 year old gay girl based in Manila. She is out to most people except her best friend Jess who she has been secretly in love with since they were kids. When Jess discovers the truth about Alex, they are forced to confront the feelings they have for each other.

Baka Bukas (lit. Maybe Tomorrow) is a 2016 Philippine romantic drama independent film written, co-produced, and directed by Samantha Lee on her feature film directorial debut. Starring Jasmine Curtis-Smith and Louise delos Reyes,

the film tells the story of Alex (Curtis-Smith), a lesbian who started falling for her best friend Jess (delos Reyes). The film had its first showing at the 2016 Cinema One Originals film festival, where it won the Audience Choice Award, Best Sound, and Best Actress award for Curtis-Smith. In 2017, Star Cinema acquired distribution rights for the film along with another LGBT-themed film 2 Cool 2 Be 4gotten; it had a wide release on March 1.

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Mantostaan Full Movie 2017 Online Released

The movie is based on the four controversial stories of the legendary Urdu Writer Saadat Hasan Manto.[8][9] Mantostaan sheds light on the inhumane side of mankind. Set during the Indo-Pakistan partition in 1947, the movie highlights the retributive genocide between the religions, killing as many as 2,000,000 people and displacing over 14 million people.

Mantostaan movie cast: Raghuvir Yadav, Virendra Saxena, Sonal Sehgal, Rahat Kazmi, Raina Bassnet , Shoib Shah Mantostaan movie director: Rahat Kazmi Mantostaan movie rating: 2 stars

The relevance of Sadaat Hasan Manto, and his stories, only seems to increase with each passing year. He wrote of a nation trembling on the cusp of Partition, which was cleaved into two in August 1947, and caused devastation and sorrow on an unimaginable scale.


‘Mantostaan’ is based on four Manto stories, and functions as a quartet, which cuts from one story to the other, the pace increasing as the film progresses. They become one, as the place and time of that mass migration come together in Manto’s searing strokes.

Each segment is harrowing in its own way: a father finds a barely-alive young daughter after being separated for a time; a family refuses to go ‘sarhad paar’ even when as the rioteers come closer and closer; two soldiers, Hindu and Muslim, learn what drawing a line between the two religions can do; and a pair of lovers discover how, in the course of a night, permanent emasculation can occur.

These are stories hard to read because it’s almost impossible to imagine how people who had once lived together in seeming amity could turn upon each other with such viciousness. Read them we must, though, if we want to know how our nations were born: the Partition created the India and Pakistan we live in today.

But the film fails in translation: it is a forced construct, and comes off flat and stagey, both in treatment and performance. It’s only the power of the original material which breaks through once in a while and holds us.

Raghuvir Yadav’s face, as he searches for his lost daughter, crumbling with mounting despair, will stay etched in memory. So will the absolute horror of a moment, in which a phrase triggers an action in a young girl after she is rescued from a gang of aggressors. It breaks your heart.

If done better, this film would have been a fitting testament to our times.